Samuel Oh

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I approach design by considering how the intersection of mediums can produce effective solutions. Unique and engaging results can take form by creating space between different binaries, such as the traditional vs digital form. In this way, there are always opportunities for innovation, experimentation, and exploration, and this flexibility of graphic design is what excites me.




















01 Art Direction
02 Animation
03 Editorial Design
04 Motion Graphics
05 Packaging
06 Motion Graphics
07 Environmental Design
08 Typeface Design



09 Photography
10
Events
Photography

11
E-commerce
Photography





05

Eden

2024







Responsibilities
Package Design
Tools
Adobe Illustrator
Adobe Photoshop
Clip Studio Paint
Pacdora

This case study was motivated by my own desire to find a fragrance that I thought was suitable for myself—a scent which was not overtly feminine with florals, or masculine with strong wood scents. That was when I distinguished a gap in the market and wanted to design a fragrance that appealed to consumers like myself. To best portray the product, I used 3D rendering to create mockups and drew inspiration from traditional Korean aesthetics.

Target Audience



The luxury brand intends to market itself towards working professionals between the ages 25–40 living in South Korea. As Christianity is currently the most practiced religion in the country, the biblical reference to the Garden of Eden is a commonly understood symbol for perfect harmony and bliss.

Each fragrance is ornamented with its own signature stamp, referential to Korean stamps/seals (도장) that were used as an extension of one’s identity—the western equivalent being a signature. As such, each scent is intended to be a distinct extension of the user.



Dielines


The packaging is composed of 한지 (han-ji), a traditional Korean paper which is suggestive of the contents’ natural ingredients.